The sitemap
Exhibitions
- Clay on Country – Ceramics from the Central Desert
- Unfinished Business
- In Search of The Artistic Moment
- ZAHALKAWORLD – an artist’s archive
- The Tucker portraits
- Tamara Dean | Leave only footprints
- Silent Tears: women, disability and violence
- SIDNEY NOLAN: FOR THE TERM OF HIS NATURAL LIFE
- Secrets of Dawn
- OUTER SPACE: STROMLO TO THE STARS
- Nicholas Harding ‘From the Wings’
- Mysterious Swimmer 2 – Ambrose Reisch
- Murray Fredericks | The salt lake
- Mother Country
- Mid Stories
- MARGARET AND THE GREY MARE
- Labours of Love
- Kangaroo Unbound: Garry Shead & Luke Johnson
- Ink in the Lines
- Inconvenience Store
- Do Brumbies Dream in Red?
- Displacement
- Brushstrokes of History
- SICK AF
- Friends With Computers | Under Waters
- Ngaluk Waangkiny
- The Strelley Mob
- On the Move
- The Best of the Bald Archy Prize
- Re-collect/Re-present
- Relative Terrains
- DEEP SKIN: Colour Photographs 1977–2006
- Ahead of the Curve
- Sumie Reflections: Ink on Paper
- Endangered Species
- Lionel’s Place – Lionel Lindsay from the Maitland Regional Art Gallery Collection
- Sally Robinson Screen Prints
- The Places that Shape Us
- The Signs Are Good: 20 years of painting the future
- TRUTH TO POWER
- Voices from the void
- Simple Love
- Out of Sight, Out of Mind
- Noisy Eyes
- New York Rambling v2
- Luminosity: Inscription of time by light
- LANDRELATIONS Tricia Flanagan
- John R Walker: Forest Song
- Future Now
- CREATION
- Beach Couture: A Haute Mess
- Arca Arcade: Round One
- Aquatic Veridical: examining the apposition of time in undersea landscapes
- A World Where You Wouldn’t Have to Leave
- 1000 Colours for Lalita
- Farewell Tour
- Porous
Tours
- Clay on Country – Ceramics from the Central Desert
- Helen Britton | The Story So Far
- Kumarangk
- Saltbush Country
- SICK AF
- The Strelley Mob
- Underneath/Overlooked
- Ngaluk Waangkiny
- Dan Withey: Finite Bounty
- Susie Althorp: skopos
- How Soon is Now?
- Lost in Palm Springs
- Three Echoes – Western Desert Art
- The Interior
- POSTWORLD
- The Brothers Gruchy
- Billy Missi’n Wakain Thamai
- Shifting Ground
- Afghanistan
- Primavera – Young Australian Artists
- Dennis Golding | POWER – The Future is Here
- Anna Louise Richardson | The Good
- HOSSEI | ESSSENSSSE
- Dr Christian Thompson AO | House of Gold
Resources
- Membership Insurance
- NETS Australia: Exhibition Presentation Survey
- NETS Australia: Contract Terminology for Touring Exhibitions
- NETS Australia: First Nations Engagement in Exhibition Touring
- NETS Australia: Working with Project & Community-focused spaces
- NETS Australia: Cultural Safety & Inclusion in Exhibition Touring
- NETS Australia: Working with Vulnerable People/ Working with Children Checks – State/ Territory Legislation
- NETS Australia: Tour Conversation Tracker
- NETS Australia: Curatorial Prompts
- M&G NSW: Guide for Hosting Exhibitions that include Indigenous Cultural and Intellectual Property (ICIP)
- ARUP: Circulate
- DAFF: Exhibitions, sporting, cultural and other events
- NETS Australia: How to put together an Exhibition Tour Budget
- Accessible Arts: Signage and Communications Checklist
- M&G NSW: Legal Requirements – insurance and compliance
- RPGNSW: Places for the Future
- NETS Australia: Condition Reporting
- NETS Australia: Incident Report
- NETS Australia: The Benefits of Touring an Exhibition
- M&G NSW: Introduction to Access
- M&G NSW: Condition Reports – How to Guide
- M&G NSW: Condition Reports – The Essentials
- AICCM: Visual Glossary
- M&G NSW: How to promote an upcoming exhibition
- M&G NSW: How to prepare an Acknowledgement of Country Statement
- ACARA: The Australian Curriculum
- NAVA: Teacher Toolkit
- NETS Australia: Installation Manual Template
- NETS Australia: Contacting Cratemakers
- Arts Law: Contract Templates
- The Exhibitions Group (UK): Sustainable Exhibitions Checklist
- The Public Galleries Association of Victoria (PGAV): Suppliers List
- M&G NSW: Suppliers
- M&G QLD: Consultant & Supplier Register
- Australian Interstate Quarantine
- NETS Australia: Contacting Freight Carriers
- NETS Australia: Itinerary Tracker
- Accessible Arts: Exhibitions Environments Checklist
- NAVA: Touring – Summary of Good Practice recommendations
- The Exhibitions Group (UK): Building a Touring Strategy
- True Tracks – a pathway to Indigenous engagement
- M&G NSW: Audio Visual Setups for Exhibitions – Media Players, Projectors and Connectivity
- Precarious Movements: Agreements & Contracts
- M&G NSW: Exhibition Labelling
- M&G NSW: Basics of touring an exhibition
- Art Fund: Rethinking Touring Exhibitions – a toolkit to reduce environmental impact
- Create NSW: Aboriginal Arts and Culture Protocols
- The Exhibitions Group (UK): Exhibition Makers’ Toolkit
- Guide Dogs NSW/ ACT: Digital Accessibility
- Safe Work Australia: Model Work Health and Safety Act
- Simpson & McDonald: Collection Law & Ethics – Galleries, Libraries, Archives & Museums
- Art Fund UK: Reducing Environmental Impact in Public Programming
- Disability Gateway: Australia’s Disability Strategy 2021-2031
- The Exhibitions Group (UK): Example Touring Exhibition Expenditure & Income Plan
- Reconciliation Australia: Reconciliation Action Plans (RAPS)
- Australian Government: Equity – the Arts and Disability Associated Plan
- The Exhibitions Group (UK): Rethinking Touring Exhibitions
- AIATSIS: Core Cultural Learning – Aboriginal & Torres Strait Islander Australia
- AIATSIS: Curriculum Resources
- The Countess. Report 2022
- UQ Art Museum & M&G NSW: Cultural Mediation Resources
- NETS Victoria: A Guide for Venues: Engaging with First Nation Curators, Artists and Audiences
- The Relationship is the Project
- Disability Arts Cymru: Creativity is Mistakes
- Arts Law: Liability and Insurance
- AICCM: Environmental Guidelines
- Australian Government: Disability Discrimination Act 1992
- Reconciliation Australia: Reconciliation Action Plan Drafting Resource demonstrating inclusive & respectful language
- NETS Victoria & M&G NSW: Risk Assessment and Management for Exhibition Content
- Arts Law: Putting Works online | FAQ’s for Artists and Arts Organisations
- NETS Victoria & PGAV: Curating Safe Practices – Curatorial Intensive
- Arts on Tour: Green Touring
- Regional Arts Australia: Collaborating with Regional Communities
- Climate Active: Carbon offsets
- Countess Report & NAVA: Clear Expectations
- Creative Australia | First Nations Arts: Protocols for using First Nations cultural and intellectual property in the arts.
- AMaGA: First Peoples and Australian Museums and Galleries
- AMaGA: First Peoples – A Roadmap for enhancing Indigenous engagement in Museums & Galleries
- ICOM UK: International Touring Exhibitions Template Agreement and Guidance Notes
- M&G NSW: How to develop a public program
- Art? Art! Art
- NAVA: Factsheet – Risk Management
- The Exhibitions Group (UK): Copyright & Reproductions
- The Exhibitions Group (UK): Touring an Exhibition
- The Exhibitions Group (UK): Exhibition Concept and Development
- The Exhibitions Group (UK): Loans
- NAVA: Code of Practice for Visual Arts, Craft and Design
- 2010 Legacies Now: Curatorial Toolkit – A Practical Guide for Curators
- United Nations: Declaration on the Rights of Indigenous Peoples
- Heritage Collections Council: reCollections – Handling, Transportation, Storage and Display
Works
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